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Marian Vaross, an art historian and aesthetician, but also an axiologist, philosopher and psychologist, was one of the most educated Slovaks of the second half of the 20th century. A selection of his journalistic work - a collection of essays and glosses, reflections on dialectics, man and fear, on analogy in history, on faith and ideals, on social systems, on politics between the private and the public, on real (alibist) socialism or communist cynicism, on totalitarianism and entropy, but also on fascism and communist xenophobia, on man's position and feelings in the socialist present - is still relevant for the critically thinking reader decades later. Marian Vaross (1923 - 1988), art historian, aesthetician, axiologist, author of art monographs (Alexy, Lea Mrazova, Polkorab, Treskon, Pribis, Fulla, Augusta, Nevan, Weiner-Kral, Mally, Benka) and fundamental works of Slovak art history and aesthetics. In the 1970s, affected by normalization, he left in his diaries and journalistic reflections a unique testimony of the post-1953 era.
