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Extravagant Mykhailo Semenko usually gives readers the impression of a scandalous poet who allegedly questioned the authority of Taras Shevchenko, although in fact denied his cult. The lyrics of the first and partly of the second periods of "both futurist and antiquarian" do not fully fit into the avant-garde style, often contradict it, have transformed traditions of baroque and folk genres, and represent national futurism.
