Narro ergo sum
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Martinovski, in the manner of an experienced comparative in the book, proves that not only contemporary literature must be fed from the dialogue with literary history, but also that contemporary theory of literature is impossible if it is not open, hybrid, combinatorial in its basis. It seems that these are also the main qualities in Martinovski's essays - he manages to rewrite the great literary canons, which we all almost believe we know almost everything, adding something - a slight change in the angle of reading, a new perspective in relation to some contemporary a tendency to associate with a later poetic principle, thus confirming once again the idea of Jorge Luis Borges that not only the predecessors influence those writers who come after them, but contemporary writers influence the way in which they will be h pierce their predecessors.
