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Literature and life have a common denominator: story... It is the 1970s and William “Mole Man” Lyttle digs a sentence in the tunnel under his house that will irrevocably affect the course of our world. “Our lives no longer feel like stories.” The protagonist of this auto-fiction novel is thirty-three-year-old Emma, who struggles to understand her Czech roots, come to terms with her mother's death, and find answers to the questions surrounding her partner's disappearance. The history around her does not flow, but rather accumulates and shatters. Among the remains, the water level rises catastrophically and fires rage. Emma wades through them in an attempt to walk away from a love in which love is won and lost. In her narrative, we reach the end together or each in our own way, the story remains. As does the question of whether narrative can help one cope with tragic events.
