Teatr spontannosti i paradoksa
Monografii︠a︡
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The author of the book examines the theory and practice of an alternative model of the chamber theatre as the most significant and meaningful means of socialization and self-identification of the youth. Scenic interpretation of classics, modern drama and literature in genres of dramatization and mono-spectacle are brought into correlation with director innovations (male and female variants, different endings of spectacles), actor creativity, and interaction with the spectator.
