Zadnje posilstvo v Parizu : filmske klasike v dobi kulture črtanja
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The book The Last Rape in Paris by Marcel Stefancic Jr. opens a debate about the fate of film classics in the context of erasure culture.
The author delves into the history, political implications, and issues of contemporary evaluation of classic films by current standards. In a provocative style, he exposes the paradoxes of erasure culture and calls for thoughtful confrontation with problematic works of the past.