Максiм Багдановiч i руская паэзiя пачатку XX стагоддзя
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For the first time in Belarusian literary criticism, the work of M. Bahdanovich is studied in relation to Russian poetry of the early 20th century in a broad aesthetic-philosophical and religious context. It is argued that the aesthetic consciousness of the poetry of manifestations of Dianisic essences in M. Bahdanovich appears as an adherent of a harmonious, subconscious nature, but this was not primary for him. On the material of M. Bahdanovich as an assessment of the original integrity and systematicity in contrast to the dominance in the artistic and figurative system of Russian poetry of the "Silver Age" of manifestations of individualism, irrationalism and chaos. The Belarusian poet demonstrates to us the harmony of the universe through his Christian dominant. It is proved that M. Bahdanovich existed in opposition to the Russian classical tradition of the early 20th century with its theocracy and demonism.
