Dokumentalʹnoe kino: illi︠u︡zii︠a︡ vybora
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This book continues the cycle of studies of “perestroika”, “post-soviet” documentary cinema, opened with a widely known collection “Explosion” (1993) of the Cinema Research Institute. Leading theorists, film critics and famous film directors propose their own view of the state of native documentary cinema at the turn of the centuries, discuss its artistic achievements, seek to understand new screen realities and star at the images of the last cinema century.
