The spatiality of the Hispanic Avant-Garde
Ultraismo and Estridentismo, 1918 - 1927
(
Serie Avant-Garde Critical Studies
-
Volume 37
)
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Thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafes, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on Spatiality, Palomares-Salas convincingly argues that an unsolvable tension between place and space is at the core of the Hispanic avant-garde cultural production. A refreshing, transatlantic perspective on Ultraism and Stridentism, the book moves the Hispanic vanguards forward into broader, international discussions on space and modernism, and offers innovative readings of well-known, as well as rarely studied works.
