The Continuous Line
Art, Architecture and Urbanism of Aditya Prakash
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Ahmedabad
Illustrationen und Karten
color illustrations
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Aditya Prakash belonged to the first generation of Indian modernists,Aditya Prakash belonged to the first generation of Indian modernists, a lodestar group of civil servants under Jawaharlal Nehru’s leadership
immediately after Independence, at a time when the connectivity between city, citizen and nation seemed vibrant and expanding. Ignoring disciplinary boundaries, Prakash viewed all aspects of his work as multiple dimensions of a single quest—to understand the
purpose of life, enjoy it, and to keep the interests of the poorest at heart. This is the “continuous line” and it represents an insight into Prakash’s philosophy in life and designAditya Prakash belonged to the first generation of Indian modernists, a lodestar group of civil servants under Jawaharlal Nehru’s leadership immediately after Independence, at a time when the connectivity
between city, citizen and nation seemed vibrant and expanding. Ignoring disciplinary boundaries, Prakash viewed all aspects of his work as multiple dimensions of a single quest—to understand the purpose of life, enjoy it, and to keep the interests of the poorest at heart. This is the “continuous line” and it represents an insight into
Prakash’s philosophy in life and design a lodestar group of civil servants under Jawaharlal Nehru’s leadership
immediately after Independence, at a time when the connectivity between city, citizen and nation seemed vibrant and expanding. Ignoring disciplinary boundaries, Prakash viewed all aspects of his work as multiple dimensions of a single quest—to understand the
purpose of life, enjoy it, and to keep the interests of the poorest at heart. This is the “continuous line” and it represents an insight into Prakash’s philosophy in life and design.
